Wednesday, October 31, 2012
Rocker
Yuma
If Not Us, Who?
Monday, October 29, 2012
Chasing Mavericks
Cloud Atlas
Sunday, October 28, 2012
Sleeping Sickness
Friday, October 26, 2012
Bride of Frankenstein
The Manhattan Project
20000 Leagues Under The Sea (1954)
White Elephant
The Paperboy
Monday, October 22, 2012
The Banishment
Elena
Sunday, October 21, 2012
2012 Abu Dhabi Film Festival Winners
Narrative Feature Competition
Black Pearl Award - Best Narrative Film:
Araf/Somewhere in Between, directed by Yeşim Ustağlu (Turkey, Germany, France)
Special Jury Award:
Gebo and the Shadow, directed by Manoel de Oliveira (Portugal, France)
Best Director from the Arab World:
Nouri Bouzid, Hidden Beauties (Tunisia, France, UAE)
Best Actor: Gael García Bernal, No (Chile, US)
Best Actress: Franziska Petri, Betrayal (Russia)
New Horizons Competition
Black Pearl Award – New Horizons:
A Respectable Family, directed by Massoud Bakhshi (France, Iran)
Special Jury Award:
Beasts of the Southern Wild, directed by Benh Zeitlin (US)
Best Film from the Arab World:
When I Saw You, directed by Annemarie Jacir (Jordan, Palestine, UAE)
Best Director from the Arab World:
Hala Lotfy, Coming Forth By Day (Egypt, UAE)
Best Actor:
Søren Malling, A Hijacking (Denmark)
Best Actress:
Golshifteh Farahani, The Patience Stone (Afghanistan, France, Germany)
Special Mention:
A Hijacking, directed by Tobias Lindholm
Documentary Feature Competition
Black Pearl Award – Best Documentary Film:
A World Not Ours, directed by Mahdi Fleifel (Lebanon, UK, UAE)
Special Jury Award:
Stories We Tell, directed by Sarah Polley (Canada)
Best New Director:
Lyubov Arkus, Anton’s Right Here (Russia)
Best Film from the Arab World:
Cursed Be the Phosphate, directed by Sami Tlili (Tunisia, UAE, Lebanon, Qatar)
Best Director from the Arab World:
Wael Omar and Philippe Dib, In Search of Oil and Sand (Egypt, UAE)
Audience Choice Award:
Saving Face, Sharmeen Obaid-Chinoy and Daniel Junge (Pakistan, US)
FIPRESCI Awards:
Coming Forth by Day, directed by Hala Lotfy (Egypt, UAE)
A World Not Ours, directed by Mahdi Fleifel (Lebanon, UK, UAE)
NETPAC Award:
A World Not Ours, directed by Mahdi Fleifel (Lebanon, UK, UAE)
2012 London Film Festival Winners
Pusher (2012)
Alex Cross
Paranormal Activity 4
Warriors of The Rainbow
Saturday, October 20, 2012
2012 European Film Award Discovery Nominations
Thursday, October 18, 2012
Indonesian Auteur's Edwin and His Short Films
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A Very Boring Conversation (2006) - A conversation that starts with music and emails, and ends up possibly changing the relationship between the two people from "mother-son" to "woman-man". RATING: 7 |
The Fifth Season
Monday, October 15, 2012
Here Comes The Boom
Sunday, October 14, 2012
Once Upon A Time in The North
Seven Psychopaths
Saturday, October 13, 2012
Holy Motors swept 2012 SITGES Awards
Leos Carax's Holy Motors |
FANTASTIC COMPETITION
FILM
"Holy Motors"" (Leos Carax, France-Germany)
DIRECTOR
Leos Carax
SPECIAL JURY AWARD
"Chained" (Jennifer Lynch, U.S.)
ACTOR
Vincent D'Onofrio, ("Chained")
ACTRESS
Alice Lowe ("Sightseers," U.K.)
SCREENPLAY
Lowe, Steve Oram, Amy Jump ("Sightseers")
CINEMATOGRAPHY
Chankit Chamnivikaipong ("Headshot," Thailand-France)
F/X;
Yee Kwok-leung, Garrett Lam, Ho Kwan-yeung ("The Viral Factor," Hong Kong-China)
YOUTH JURY AWARD
"Robot & Frank," (Jake Schreier, U.S.)
CASA ASIA AWARDS
BEST FILM
"Dragon" (Peter Ho-sun Chan, China)
BEST ANIMATION FILM AWARD
"Wolf Children" (Mamoru Hosoda, Japan)
NEW VISIONS AWARD
"War Witch" (Kim Nguyen, Canada)
PERIODICO DE CATALUNYA AUDIENCE AWARD
"Robot & Frank"
JOSE LUIS GUARNER CRITICS' AWARD
"Holy Motors"
CITIZEN KANE AWARD TO AN UP-AND-COMING DIRECTOR
Brandon Cronenberg ("Antiviral," Canada)
SITGES SILVER MELIES AWARD
"Holy Motors"
Azooma
Sinister
Samsara (2011)
Glowing Review on SKYFALL from both sides of The Atlantic
Sam Mendes's Skyfall (UK, 2012) - Variety called it Stunning Skyfall in their headline: Putting the "intelligence" in MI6, "Skyfall" reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre, one that places Judi Dench's M at the center of the action. It's taken 23 films and 50 years to get Bond's backstory, but the wait was worth it. In Sam Mendes' hands, the franchise comes full circle, revealing the three-film Daniel Craig cycle to be both prelude and coda to the entire series via a foxy chess move that puts these pics on par with Christopher Nolan's "Dark Knight" trilogy as best-case exemplars of what cinematic brands can achieve, resulting in a recipe for nothing short of world domination. Screen Daily also gives the film glowing review: Fifty years on from the release of Dr No, the twenty-third official James Bond film refreshes a formula which seemed flagging in Quantum Of Solace, the last entry, by keeping on Daniel Craig, who has grown into the role of the secret agent but brought his own distinctive take on the character, but bringing in top talent, including director Sam Mendes (unwinding after weightier things, but taking the assignment seriously), script-polisher John Logan (working over a screenplay by series regulars Neal Purvis and Robert Wade) and (perhaps in a masterstroke) cinematographer Roger Deakins, who finally provides a Bond film with a visual sophistication that matches the credits sequence. |
Wednesday, October 10, 2012
Forbidden Games
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GREAT MOVIES: Rene Clement's Forbidden Games (France, 1952) - Director René Clément's bittersweet drama depicts the ravages of war on its youngest victims. After being orphaned when a Nazi strafing kills her parents and her dog, 5-year-old Paulette (Brigitte Fossey) is taken in by farm boy Michel Dolles (Georges Poujouly) and his family. While his parents are busy feuding with their neighbors, the youngsters cope with the death surrounding them by creating a cemetery for animals killed in the fighting. 1952VENic, 1000DT, 1000NY, 1001M, EGM. RATING: 9 |
El Condor Pasa
Jeon Soo Il's El Condor Pasa (South Korea, 2012) - Mirroring the themes of religion, grief and forgiveness found in Lee Chang-dong’s Secret Sunshine (2007), El Condor Pasa is a compelling addition to Jeon Soo-ill’s body of work, which should continue its festival run following its world premiere in Busan, but lacks the substance found in Lee’s award-winning feature. Most of the film takes place in Busan where Jeon has established his roots as it follows a catholic priest who begins a relationship with a woman after her younger sister is raped and murdered. The priest then takes a trip to Peru to visit an old friend as he sets out toss seek forgiveness for his transgressions. 2012BUS. |
Tuesday, October 9, 2012
Shifting The Blame
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Lars Gunnar Lotz's Shifting The Blame (Germany, 2012) - In "Shifting the Blame," a vicious juvenile thug's rehabilitation is complicated when the woman he'd assaulted turns out to be house mother at the experimental correction facility he's sent to. Lars-Gunner Lotz's accomplished first feature, penned by Anna Maria Prassler, requires a major suspension of disbelief over this key coincidence. Viewers who can swallow it, however, will likely find themselves engrossed by this familiar but effective tale of tough-love redemption. Beyond continued fest play, pic should attract some tube and rental sales while boosting its creators' future prospects. 2012MONff. RATING: 8. |
Life Without Principle
Johnnie To's Life Without Principle (Hong Kong, 2012) - Seizing on the ongoing world banking crisis to add a spin to an otherwise ho-hum crime story, Hong Kong helmer Johnnie To finds greed to be the root of all evil in his patchy "Life Without Principle." Auds who've come to expect pyrotechnic action will be disappointed in this almost perversely slow-burning, sometimes slapdash criss-crosser that intersects the stories of a bank employee, a cop and a clutch of small-time triad gangsters all chasing a fast buck. Pic will find it challenging to leverage interest from international buyers, but should enjoy solid returns at home. 2011TOR, 2011VENic, 2012EDI, 2012SANF, 2013OE. RATING: 8. |
The Last Circus
Alex De La Iglesia's The Last Circus (Spain, 2010) - 2010VENic Best Director Winner and Best Screenplay Winner. This political slasher portraying life in Franco’s Spain as a horror movie must be one of the most hysterical films ever made about a fascist regime, and among the least pleasant pictures devised about circus life and particularly about jesters. A genre film par excellence, owing its inspiration to such sources as James Whale, Alfred Hitchcock, Tod Browning, King Kong and Pan’s Labyrinth, to mention just a few, it may very well catch the fancy of Venice jury president Quentin Tarantino, but its grating black humor, if that’s what it is, will have a lot of trouble travelling beyond the borders of Spain. 2010TOR, 2010VENic, 2011SANSmis, 2011SEA. RATING: 8. |
National Security
COMING SOON: Chung Ji Young's National Security (South Korea, 2012) - Extremely grueling and painful to watch, National Security is a tough sell, but director Chung Ji-young’s unyielding approach to convey the torture experienced by the late Kim Geun-tae is likely to attract attention, which in and of itself should make it a feature on the festival market. The film is based on the memoir written by the famous politician Kim Geun-tae who was once imprisoned by the Korean Central Intelligence Agency (KCIA) for 22 days during the military dictatorship for his role in the pro-democracy movement in the ‘80s. 2012BUS. |
Perfect Number
COMING SOON: Pang Eun Jin's Perfect Number (South Korea, 2012) - Perfect Number, which premiered at the Busan Film Festival, is a worthy adaptation of The Devotion Of Suspect X written by popular Japanese novelist Keigo Higashino, which should perform well domestically, while overseas sales are also likely to be strong. Much like the novel that is the third part in a series called Detective Galileo, it follows a woman who unwittingly killed her ex-husband after he enters her apartment and starts abusing her, but the neighbor next door, a mathematics genius, after hearing the commotion, devises the perfect alibi for her. A detective, however, becomes suspicious and so he begins, together with his colleague, to try and solve the case. 2012BUS. |
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